Gilli Moon – The Stillness
When I read Gilli Moon’s press release, I was immediately struck by the phrase ‘Australian Singer Songwriter’. Those three words epitomise my music taste, so why was I unaware of this artist who has just released her sixth album? She’s not the most mainstream artist, but nor are most of the artists who fill my iPod. To be honest, I don’t know why I wasn’t aware of her. But I am now, and that’s the important thing.
The Stillness plays home to fourteen tracks which each shine in their own way. Opening with Conversation With Me, Moon’s soft vocals demonstrate her natural ability that compliment the piano playing which accompanies her voice.
I Am is a stand out track for me. Whilst Moon has been compared to the likes of Alanis Morrisette (something I don’t disagree with) it’s Genevieve Little – another Aussie who I once randomly stumbled across who I am reminded of in this upbeat number. The chorus is full of optimism and charisma, emphasising the happiness behind the song.
The ‘haunting’ track of the album is Days In November. Background vocals and a repetitive chorus may often be seen as flaws in a song, yet here they serve to reinforce the strength of Moon’s vocals. It’s floaty without hitting the extreme airiness that Imogen Heap overwhelms me with.
Before I listened to Cos I Love You So, I assumed it would be cutesy pop. I was proven wrong with this track and its powerful chorus that some may say – OK, so my mum was listening to it and made a comment – sounds like Madonna. And that’s not a criticism by any means. Although, my minor critique would be the juxtaposition between Moon’s vocals and the, perhaps misplaced, rapping interlude by a male vocalist that just doesn’t seem to flow for me.
The Stillness is out now.